Firstly, I just want to acknowledge how cool it would be to have ‘art’ somewhere in my name. Lucky for Stephen, not so lucky for me. Stephen SwARTz is an analogue photographer who studied the craft well before digital was around. His work dates from the late 90s to the present but most of his work carries this 90s energy. I would put this down to the look of the women Stephen uses in his work, although I’m sure the analogue technique plays a part. It is pretty rare these days, with my beloved Ellen Rogers being the main contemporary analogue photographer I am aware of. I have chosen a selection of images from Stephen’s portfolio that appeal to me the most but I would recommend taking a look yourself to fully absorb yourself in his intent. Soft female forms are juxtaposed with geometric architecture to comment on the contrast between organic figures and structured forms and, on a deeper level, intuition and rationale. Stephen uses female figures to express his own feelings as a man, allowing him to explore his own emotional state – something he notes men often try to push down. It is important to respect the skill and patience it takes to work as an analogue photographer, especially in the age where digital technology runs rampant. I’m not one to talk, being a digital artist myself after all. I suppose at the end of the day, the most important thing is to simply acknowledge and respect art, both as the end form, as well as the techniques used to get there. I hope you enjoy these striking photographs. I just adore the first image and find some connections to William Mortensen’s work in a few of the others. Delightful.