Like Petra Collins, Maggie Dunlap is another young Sagittarius whose work focuses on the exploration of girlhood with amazing results. Dunlap’s work is bold, true and sometimes dark – she does have an illustrated alphabet of serial killers after all. She is a huge Marilyn Manson fan and brings her love of horror and gore into some of her pieces while others are boldly feminist and unapologetic. She’s one of those artists that makes art out of just about anything and someone I recommend getting to know, if only on the internet. Karley Sciortino interviews her here for Slutever which is well worth reading. For me, I felt a lot of Dunlap’s answers were my inner thoughts.
Here is some of Maggie Dunlap‘s work I enjoyed, but you will find more on the web if you dare.
The visual EP, M3LL155X, is a self-directed project form FKA twigs. I watched it today and really, really enjoyed it. I would recommend taking the time to clear you mind and really watch it. If anything, it gets better as it goes on. So sit back and immerse yourself in the work of an inspiring woman and a true creative.
If you want some more written content on the project, you check out this article at Dazed.
Sorry I have been absent lately. Life takes over. But I’m back now x
Liv Thurley‘s artwork, Weapon, is to die for… and almost in the literal sense. When I first saw this image I wasn’t aware of the materials used and just thought they were gimmicky underwear with rubber bristles sticking out to represent pubic hair. I thought this was pretty cool and how funny it would be to flash people when wearing these knickers. Upon research and discovering the wonderful Liv Thurley, I was pretty happy to discover that these were hundreds (?) of tiny pins – sharp end sticking out. Thus the title, Weapon, becomes even more true. As a woman, I know that vaginas are very much weapons – commonly used against us, but also able to be used by women as personal power and influence. Thurley explains she overheard a group of boys talking about how they would never sleep with a woman if she had pubic hair. Soon after, this brutal creation was formed.
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The amazing Martine Johanna is currently exhibiting at Walls gallery, Amsterdam. Her exhibition ‘The Grand Illusion of Sanity’ looks at the history of women being made to feel like they can’t speak, that their minds are not sound and the misconception of female hysteria. These issues are really important as (sadly) many women still battle with them today. When we speak up it is easy for men to say we are ‘crazy’, ‘on the rag’ and other grossly untrue comments used to try to ‘put us in our place’ (The kitchen? The bedroom? Certainly not in front of a microphone or keyboard. I should get a wrist slap right now!) I have always enjoyed Johanna’s work and especially love these pieces from her current exhibition. I hope you do too! Oh, but whether you do or don’t, make sure you don’t say something hysterical, it’s only art after all!
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I found Rhiannon Schneiderman‘s ‘Lady Mane’ series on The Ardorous (curated by Petra Collins) and fell in love with both the concept and execution. These amazing self-portraits reclaim pubic hair in a refreshing, beautiful manner. As women have fallen out with pubic hair, choosing to wax, shave, pluck and attempt anything for it to go away, I am happy to see a generation returning affection to the bush. Schneiderman’s series is all about empowerment, reclaiming femininity as a woman rather than adhering to male-approved versions. The series is powerful and highlights the hilarity of the modern-day emphasis given to make ones genitals fashionable. Each ‘lady mane’ is different and reminds us that, yes, it is okay to do whatever we want with out pubic hair. It is ours, nobody else should get a say. Here’s my four favourite pieces from the eight-part series. Enjoy x
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